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Author Sonya Clark

Author Sonya Clark

Category Archives: Music History

Impeach The President

18 Monday Feb 2019

Posted by Sonya in Music, Music History, Music Monday songs

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breakbeats, hip hop, Music, President's Day, The Honey Drippers

The early days of hip-hop are filled with stories about crate diggers finding great beats in obscure songs and using them as the building blocks of the genre. One such song is Impeach The President.

Released in 1973 and aimed at the Nixon Administration, Impeach The President was written and produced by soul singer Roy C. Hammond. Hammond found a group of high school kids from Queens, New York, called The Honey Drippers and had them play on the record. Their names aren’t listed on any credits for the song, and Hammond himself doesn’t remember the name of the drummer he worked with for hours to be able to play that opening beat. His label Mercury wouldn’t release the song because of its controversial theme, so he put it out on his own Alaga Records. Despite being a tasty piece of funk, Impeach The President never charted.

Years later, though, that opening beat started showing up as a sample in one song after another. Here’s just a partial list of the over 600 songs with a piece of this breakbeat:

MC Shan – The Bridge

DJ Jazzy Jeff & The Fresh Prince – As We Go

Big Daddy Kane – Smooth Operator

Digable Planets – Rebirth of Slick

2Pac – I Get Around

Janet Jackson – That’s The Way Love Goes

Flo-Rida – My House

Unsurprisingly, Hammond has had to fight for what little money he got for having his work sampled in so many hits. Impeach The President’s killer breakbeat will live on, in classic hip hop and R&B, and it’s still being used today.

Read more about Hammond and his heavily sampled song at Genius, Stereogum, and WaxPoetics.

Rumble

28 Monday Jan 2019

Posted by Sonya in Music, Music Documentaries, Music History

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Link Wray, Music, music documentaries, Music History, Native American

1958. Television was ruled by westerns. South Pacific was the biggest movie of the year. Breakfast At Tiffany’s and Our Man In Havana were published. The biggest song of the year was Tom Dooley, a murder ballad by The Kingston Trio that kicked off the folk music boom. The charts were full of The Everly Brothers, Ricky Nelson, Frankie Avalon, Andy Williams, Connie Francis, with a smattering of Chuck Berry, Jerry Lee Lewis, Duane Eddy. Elvis Presley was the King of Rock and Roll, but in March of 1958, he was inducted into the U.S. Army. While that haircut may not have taken his crown, except for a few shining moments Elvis was never quite the same.

But that didn’t mean rock and roll was done.

In April of 1958, the only instrumental song to ever be banned from the airwaves was released. Rumble by Link Wray was like nothing anyone had ever heard. It clanged and snarled, it stalked you with its menace, it blew kid’s minds and scared the hell out of their parents. In Rumble, Wray elevated distortion to an art, crowned fuzz as the dirtiest guitar sound in rock, and gave screaming birth to the power chord. Wray and Rumble were the link between the blues and metal, a towering inspiration for punk, thrash, and other hard-charging subgenres of rock. Link is beloved by countless titans of music, but not very well known outside the business. Certainly not as well known and loved as he should be. I mean, after all, we’re talking about the guy who invented the power chord here.

I first heard Rumble in the 90s when it was featured in the movie Pulp Fiction. After that, I knew who Link Wray was, but I didn’t really know anything about him. For instance, I didn’t know we owe the power chord to him. And I didn’t know he was part Shawnee.

Rumble: The Indians Who Rocked The World is a great award-winning documentary now on PBS. I watched it last week and got my mind blown by how many artists were of Native ancestry. I knew of some, like Jimi Hendrix and Charley Patton, but there were a lot I didn’t know about. And their influence! The influence of Native musicians is really amazing to learn about. One of my favorite clips in the film is about Patton, the undisputed grandfather of the blues, and the Choctaw influence on his sound. Then there’s jazz singer Mildred Bailey, originally from the Coeur d’Alene Reservation, who was a tremendous influence on both Tony Bennett and Frank Sinatra. The list goes on: Robbie Robertson of The Band, drummer Randy Castillo who was a member of Ozzy Osbourne’s band, guitarist Jesse Ed Davis who played with countless artists, folk pioneer Buffy Sainte-Marie, rock group Redbone, and many more.

This terrific documentary fills in a lot of gaps in the history of American music, and is well worth the time of any music fan. You can watch it on the PBS website, but it will only be available until February 5, so jump on it, and play it loud.

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